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2012

2010 Toruń, PL
450 / 250 / 300 cm
polychrome ceramic, video

The starting point of this work was the fear revealed by a part of the human population of the end of the world having to come inevitably. December 21st 2012, according to some modern interpretations of the Mayan calendar, was to be the date of doomsday. The installation consists of twelve ceramic figures, modelled to resemble exactly the authentic pre-Columbian sculptures, which face the static noise of the void screen, identified as a cosmic noise and nothingness.